then there’s the “**** Eminem” thing and that he has anti-vaxxer viewpoints, the fact that he is 100% behind the Nation of Islam and he fully believes in Alex Jones-level 9/11 inside job conspiracy theories. It’s a weird combo but it works effectively if you’re willing to look past. For the most part, they exist in the background while you focus 100% on Rino’s lyrics blasting you a track at a time. His production has never been imaginative or original. You’ll see what I mean if you give em a chance. If you would like to donate something, you can do it, it's not obligatory, it has to be of your will and it can be the amount you want. Lastly, it really sets the tone for the rest of the 6 albums yet to come. For many year Producto Ilcito has been free, I have never put publicity on the blog or ads links to receive money. Finally, songs like “Extreme Malice” and “Raising the Bars” make very compelling arguments for why K-Rino would leave your favorite rapper in a sleeper hold. “Family Fools” and “Only in the Hood” give comic relief and a poignant reminder that the same place he makes fun of is his home. Z-Ro and Klondike Kat) ooze with manly feels. Introspective songs like “Once It’s Done,” “So Grateful” and “Wish I Could Smile” (Ft.
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You can expect a lot of soul and funk samples and live guitar recordings while a Southern Rap General teaches us a thing or two about how to put a rhyme together.
So what can you expect? Slower, more soulful, synthetic sounding beats with very heavy snares. Second, it gives you a preview of what “oldhead” hip-hop looks like in Houston, which still remains one of the bastions of “good” (opens* the floodgate *woosh*) Hip Hop in the country. K-Rino’s aggressive in-your-face delivery and complex vocabulary make it very hard to focus on anything else.
Universal Curriculum serves three purposes: First, it makes it very clear this is not a production-heavy album. Last year, K released 7 albums on the same day, getting a Guinness world record for it and believe it or not-the whole thing is dope. After 30 years of roughly following this same template for most of his albums, it’s surprising that he’s improving with age. Each album also comes with 3 or 4 lethal battle raps (100-bar no chorus songs aren’t uncommon). The Southern Hip-Hop pioneer (rappin’ since ’83) has a gigantic catalog (mostly independently released) of albums containing some of the most lyrical, socially-conscious, introspective raps I've heard. Houston’s K-Rino, for what it’s worth, should not be as polarizing as he’s often perceived. Review Summary: Southern ghetto street conscious intellectual lyrical flows on basic beats.